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austin_dern

July 2025

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Let's be happy again. It's Sunday/Monday, so, let me finish off Story Land pictures and give you a last look at Story Land.

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Props from inside Heidi's Grandfather's cabin, one of the story-book adventure settings in the park. The presence of not just one but two copies of Heidi suggests a dangerous breach in the walls between fiction and reality in the Heidi's Grandfather cabin. Or maybe Heidi is a more modern, fourth-wall-breaking adventure than I imagine. I dunno.


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Polar Coaster, and some of the eating venues, as seen from the hilltop beside Heidi's Grandfather's cabin.


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Interior animatronics of the Cuckoo Clockenspiel. It's a spinning-tubs ride, with a heavy clock theme that's really rather hypnotic.


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So that's what they were up to! The decals and appliques that staff was getting ready to put up, but not quite doing, at the Friends Around The Word Food Fair were put on sometime between lunch and the later part of the day.


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Fairy tale characters! This is a photo through the fence as character, including Dutch Wonderland's Duke the Dinosaur, get ready for a public event of some kind. Kennywood's parent company bought Dutch Wonderland from Hershey a few years back, and Duke's been appearing at all their parks ever since, and we're still a little weirded out by that.


And in my mathematics blog the past week? Here's what you could be reading about.

Trivia: It was 1741 before King George II settled whether the border between New Hampshire and Massachusetts began three miles north of the mouth of the Merrimack River (as New Hampshire claimed), or three miles north and east of the mouth (as Massachusetts did). The King ruled, mostly, for New Hampshire. Source: How The States Got Their Shapes, Mark Stein.

Currently Reading: Media Hoaxes, Fred Fedler.

Thursday/Friday again and I'm still working on my backlog of Story Land pictures. P1330302

Aboard the Story Land swan boat, as we venture onto color-deprived Butterfly Island. (Spoiler: over the course of the voyage color is restored to Butterfly Island.) Behind the (functioning) drawbridge is the pirate-ride boat. The swan boat captain warns the pirate boat might try to interfere with the swan boat's mission, but the pirates do not. The pirate boat captain had nothing to say, good or ill, about the swan boat ride.


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The horse-drawn pumpkin carriage outside Cinderella's Castle. The carriage runs on an electric motor so it sort of whirs electrically rather than making any noise. It's obscured from this angle but the horse mannequins float about eight inches off the ground. (I have a picture that better shows how the horse figures are attached, but that one doesn't show the pumpkin at all.) So this adds a touch of surely unintended comedy to the ride.


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A panoramic view outside Cinderella's castle, showing the driveway roundabout, and the horse-drawn pumpkin carriage, and the hill down to the main park. To the right of the bridge is the swan boat's station.


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Peg-legged crow figure at the pirate ship's loading station. It looks for all the world like it should be animated, but it was not moving when we were there. On the left, the boat is on its way out; we were the first people on the next ride.


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Pirate ship ride as it makes its turnaround, in a little channel around an island set up with animatronic pirates and wrecked ships and cannon and all that. At the far end is the ship's captain, who was having nothing of [livejournal.com profile] bunny_hugger calling out ``Stede Bonnet'' as a pirate someone might have heard of.


My humor blog! I talk about it every week about this time. Here's what's run the past week on it.

Trivia: The ancient Romans dated the battle of Pydna, 168 BC, to the 3rd of September. The battle's proximity to a lunar eclipse lets us be confident the date was actually the 21st of June. Source: Marking Time: The Epic Quest To Invent The Perfect calendar, Duncan Steel.

Currently Reading: Media Hoaxes, Fred Fedler.

And a bit more of Story Land for this Sunday ...

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Figure atop Splash Battle: Pharaoh's Reign. It's a raft ride in which both the rafters and the people standing on the outside have water cannons they can shoot at each other. This is one of the sculptures standing on top of the station, which goes well past the minimum necessary amount of work for an Egyptian themed station.


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Sphinx sculpture outside Splash Battle: Pharaoh's Reign. The hieroglyphics caught our minds, though. Are they just replicas of something from Actual Egypt? Could it be that someone's burial inscription stood for thousands of years, and then got duplicated as unread and unknown markings on an amusement park's water-cannon ride for the fun of it? There's something weird about that possibility but I don't see any reason to rule it out either.


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From the Slipshod Safari Tour, a ``wilds of Africa'' post office. Some of the set pieces on the tour are animated; most are just sculptures like that. The driver provides the context and jokes for stuff that doesn't explain itself.


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The antique German carousel! The horses don't go up and down, but they are mounted on springs so you make them rock at your own pace. If you time it right, you can be temporarily moving backwards at the same rate the whole platform is rotating forward, which is quite a rush.


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The swan boat, the Story Land Queen, coming in to dock after its voyage spent saving Butterfly Island from a lack of color.


And then my mathematics blog, busy in its way the past week:

Trivia: In 1938 New York City elementary school students ate 2,792,881 pounds of bananas in school lunches, versus 1,273,745 pounds of apples. Source: American-Made: The Enduring Legacy of the WPA, Nick Taylor.

Currently Reading: Symmetry In Mechanics: A Gentle, Modern Introduction Stephanie Frank Singer.

Pictures always run behind the narrative. Here's pictures from Story Land again.

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Dinosaurs! They've got sculptures and animatronics at Story Land. And, yeah, in some directions you'd barely know there was a park there.


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Rory! The train for Roar-A-Saurus, which has a nice, attractive shaped train. It's a really, really fun roller coaster and it doesn't hurt that the train cars are cute.


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Dr Geyser's Remarkable Raft Ride! The ride is themed to a turn-of-the-century inventor with his weather-controlling mechanisms and the ride promises to make you wet, for example, by sending you under the rain machine.


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Story Land character totem pole. And, off to the side, a clown that I think is an even older park icon. There's a Heidi-themed cabin in the background, up the hill and to the right of the totem pole, to the left of the tilted house.


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Throughout lunch these two park workers were clearly trying to apply Story Land decals to the wall in the international food court. They sometimes called in someone else to consult on the work. But they never did anything while I was watching.


And so what's been going on in my humor blog? This is what:

Trivia: After the November 1918 armistice the first food shipments to Germany were made in late March of 1919. Source: Paris 1919: Six Months That Changed The World, Margaret MacMillan.

Currently Reading: Symmetry In Mechanics: A Gentle, Modern Introduction Stephanie Frank Singer.

Back to Story Land for pictures!

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Gruff alert! So now we've seen this setup at both Story Land and its sister park of Idlewild.


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Getting into the international/adventure side of the park: on the left is the Flying Carpet Sandwich Oasis. In the center is the Polar Coaster, the older roller coaster. To the right of that is a clock with a parade of kids to the tune of the Child's World Of Fun song. Past that is a windmill and ice cream shop.


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At the Polar Coaster: somebody's out of place here.


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The windmill, right by the Dutch Village Ice Cream Shop. Now, not really highlighted but worth mentioning: you see that cow statue on the right? And the kid kneeling down behind it? That's because you are invited to milk the cow statue. This is surely something that kids remember for a long time after they've done it.


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An animatronic groundhog, popped up to tell us about a show that's coming up shortly.


And mathematics blog content of the past week? Here's what you missed:

Something something Friends page etc something else RSS reader available dilute okay.

Trivia: The lead headline for the Milwaukee Sentinel for the 5th of October, 1957, read ``Today, We Make History''. It regarded the first World Series game being held in Wisconsin. Sputnik news was on page three. Source: This New Ocean: The Story Of The First Space Age, William E Burrows. (In this particular segment Burrows is directly quoting a person, so the headline or newspaper might be misremembered. On the 5th, the Braves would lose to the Yankees at Milwaukee County Stadium, 12-3, in a game lasting three hours, eighteen minutes and no extra innings.)

Currently Reading: Moon Bound: Choosing and Preparing NASA's Lunar Astronauts, Colin Burgess.

It's Thursday or Friday, depending. Time for pictures, this the first batch from Story Land. P1320925

Storage! Always precious, at amusement parks. Story Land, delightfully, just offers shelving space so people can bring in what they need and store it free of charge. It's so very nice it almost makes me not notice the fairy tale reference has unwanted implications.


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Tim, the animatronic tree who explains to kids what to do if they get lost. He also invites folks to write their names on little paper leaves and hang them on his branches. I'd put mine up by the raccoon (top, right wall, center) while [livejournal.com profile] bunny_hugger put hers by the pen-wielding squirrel (bottom, right wall).


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Well, this won't turn out badly for any of the animatronics involved.


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A comic foreground around the Alice in Wonderland area and the mad-teacups ride, naturally enough.


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This chicken has some projects of her own that don't necessarily involve the fairy tale you're thinking of, thank you.


Humor blog Friends page etc etc RSS feed alternative missed this past week:

Trivia: A gram of americium oxide --- first offered for sale by the US Atomic Energy Commission in March 1962 at $1,500 --- provides enough material for over six thousand smoke detectors. Source: Molecules At An Exhibition: The Science of Everyday Life, John Emsley.

Currently Reading: Roads To Infinity: The Mathematics Of Truth And Proof, John Stillwell.

So back to Story Land. As mentioned one of its attractions is an antique carousel, a Heyn-made model from 1880. It had been in Bavaria originally, then the National Carousel Association has no idea, but it ended up at the Canadian National Expo for a couple of years in the 60s before coming to Story Land. It's got several dozen mounts, although they don't go up and down. They're fixed to the platform --- and I'm embarrassed I don't remember how fast the platform rotates; I want to say five rpm at its maximum.

But the mounts aren't stationary on the platform. They're all set on rocking bases, with swings. You give the ride a push and it bounces forward and back. Forward and back is a rarer motion on carousels than you might guess. It's fun, messing as it does with expectations. Also you can start doing something the moment the ride operator isn't looking, and keep it up until the operator insists people get off the ride. And if you control the speed of your rocking just right, at the start and the end, you can get these moments where you're stationary relative to the ground. There are some rocker-type mounts on modern carousels, especially those kinds that turn up at shopping malls, but I don't remember any being being or speedy enough for that to be fun. We got a couple of rides in on this and that was the day's other triumph, past Roar-O-Saurus time.

We were able to get lunch at the park, in the Friends Around The World Food Fair. They had vegetarian burgers, reinforcing just how much easier it's getting to eat vegetarian these days. We ate in the pavilion, watching what really, really looked like a storm trying to roll in and not making it. Despite plenty of chances the storm never did arrive, dashing our hopes that it would lighten the crowd.

At the pavilion though I did get engrossed by an odd spectacle. A couple of park workers kept going up to and measuring and making pencil marks on a blank piece of wall. And then they came back with what looked like paint, but stopped short of putting any on anything. Then they came up with appliques that again they held up to the wall and brought other people over to consult on, but never did anything with. I kept watching, through lunch, and even lingered just a bit but nothing actually got done besides holding plastic sheets up to the wall. At the day's end we walked over and there was a neat new ``Story Land'' logo on the wall, right there. Watched pots and park grounds crews, I suppose.

The crowds would stay fairly heavy until about 5:00, though. This put us off some attractive-looking rides like the Antique Cars. The Antique Cars were a popular ride, though, so popular that they closed the line to that about 45 minutes before the park closed. Also, !. We were put off Dr Geyser's Remarkable Raft Ride, despite its charming turn-of-the-century Americana/crazed inventor theme because that was way too wet a water ride. The theme is something about Dr Geyser who'd invented a rainmaking device and if it weren't enough of a rapids ride it even went under artificial waterfalls to make sure you came out soaked. Not us, not on a day too likely to rain.

More our speed and moisture level were the Huff Puff & Whistle Railroad, which circles around the park and which according to the announcements even makes one full circuit after the park closing hour. It runs at grade to the park, alongside walkways that don't have any kind of barrier and that felt strikingly dangerous for a miniature railroad ride. It whistles and alarms as it approached a spot, sure, but there's not even a loading station. And we rode the Cuckoo Clockenspiel, a spinning-tubs ride that goes through a giant cuckoo-clock house. That's charming to start with, and it's got a good and busy animatronic clockwork mess going on inside. Nice long ride, too.

As we got to the end of the day we went back to Roar-O-Saurus, figuring we could probably get one more ride in and if we were lucky the crowds would have evaporated enough we might get two in. We were extremely lucky.

The crowds had receded from the dinosaur area of the park, and we had just a short wait for our second ride. And it was no less delightful a ride its second time around. It's not a ride that wears off its thrills quickly. When that was done we walked back around to wait for a front-seat ride. And now the crowd was so light it was a walk-on. Not just a walk-on, but they were letting people re-ride. One kid sitting in the second row tried to move to the front and we had to tell him, no, we really were waiting for the front-seat ride. Well, we were. We'd be happy to swap seats with him the next time around, though.

But when we got back to the station nobody --- nobody! --- was waiting for the ride, and the operators said if anyone wanted to get off the ride that was fine but otherwise stay in your seats and we'd go around again. There's no turning that offer down. Nor was there any turning it down when we got back to the station and again nobody was waiting and they were offering a re-ride. We got back to the station at what was surely 6:00, the closing hour, and with nobody new at the station surely no more rides would go out. Except they released the brake just enough for us to roll forward a bit, moments before the station phone rang, I assume with the official ``day is done'' notice. And so we went out on one last ride, after an incredible string of re-rides on a most thrilling wooden roller coaster.

We did feel sorry for the kid who lost three front-seat rides in a row, although if we'd taken the time to swap around, it would've been only two, I suppose. And even second-row would be a great ride. I'm not sure it's possible to have a bad ride on Roar-O-Saurus.

So from that we made the long walk through the shuttered park, taking the long way around to get a last view of everything. For the third time in two days we were so happy to see a place more wonderful than we'd expected.

Trivia: Suggested recipes offered by United Fruit's home economics department around 1930 included ``bananas and bacon'' (banana chunks wrapped and served on a cocktail stick, ``guaranteed to start a conversation''). Source: Bananas: How The United Fruit Company Shaped The World, Peter Chapman.

Currently Reading: Overthrow: America's Century of Regime Change From Hawaii To Iraq, Stephen Kinzer.

Story Land has two roller coasters, the older of which, and the more accessible, called the Polar Coaster. You probably guessed what the theme is already; the station's done up like it was carved into a glacier, and the track is blue and white, though the cars are brown. It isn't a very tall roller coaster, and it hasn't got any great drops. The ride is all turns, really, swoopy curves. It's too large to call a kiddie coaster, but it's certainly quite child-friendly. It's still fun, though.

And there's surprises about it. One guy getting in the train ahead of us brought his drink along. This may not be a fast ride and it might not be very rattly (although it is nearly thirty years old, and steel roller coasters had much sharper turns back then), and presumably he knows about what the ride feels like, but I couldn't imagine bringing a drink along on the ride. And they let him! Sadly for my curiosity they were running two trains so we don't know how he came through this.

We also went to the Tilt-A-Whirl, which delighted us by having a turtle-shell theme. Tilt-A-Whirls with themes will pretty much always get us interested. And as at Santa's Village, the ride operators told people of what to do in case they needed to stop the ride early (hold your hand out and give a thumbs-down). In this case, they actually did. The ride operator mentioned to us --- waiting for the next ride --- that it looked like someone was about to get sick and so they stopped short. Another group took the not-yet-sick people's place, and they resumed for what certainly seemed like a full ride cycle. Ride operators surely are trained to look for signs of imminent guest distress and to stop rides when that's coming forth, but we hadn't seen the process being so explicit before.

This path was taking us to the newest major ride at Story Land, one of the things that drew us to the park. It also took us into the dinosaur-themed area, and if you wonder how dinosaurs fit in to a theme of fairy tales and seeing-the-world, well, they're dinosaurs. Come on.

The target was Roar-O-Saurus, their new wooden roller coaster. It immediately leapt to the top of roller coaster polls, especially wooden roller coasters. We wanted to know what it was like. It was hidden behind a really, really long line, and we worried whether we'd get to have a second ride. It was bad enough to get only a single ride on Funtown Splashtown USA's Excalibur, which would certainly have been worth reriding. To get that at two parks in two days? ... But maybe the park would empty out later in the day and we'd be able to ride it again without a half-hour or forty-minute ride. We'd do better than that, in fact.

Roar-O-Saurus (the exact hyphenation is not consistent, by the way) is not a large ride. The Roller Coaster Database gives its greatest height at 40 feet, and greatest drop at 38.5; Leap the Dips, built in 1902, is taller than that. (Of course that's slower and hasn't got as big a steepest drop.) Its greatest speed is 34 miles per hour. The whole ride cycle is barely a minute, and about half of that is the lift hill, bringing you up to that forty feet. From the top of that to the station is about thirty seconds. The statistics suggest a gentle, easy ride. It's not.

Roar-O-Saurus hasn't got much height, or much speed, or much time for that matter. But it uses what it has brilliantly. The ride leaps and turns; it feels like it flies. There are something like a dozen air time moments, the points where you reach zero gravity and float in the seat. There's abundant side-to-side motion. It's always surprising, always thrilling. At some point on this first ride my pen leapt out of my pocket, never to be seen again. We understood why this is such a renowned roller coaster. It should stay at the top of the rankings for a good while.

There's been some talk in roller coaster fandom, apparently (I get this from [livejournal.com profile] bunny_hugger; I'm oblivious to the actual fandom) about how the 90s-2000s little golden age of every park putting in a giant new wooden roller coaster is ended. It does look like parks aren't putting in many big wooden roller coasters these days, and that's a bit of a shame. But this might be missing the point, in exactly the same way that science fiction fandom doesn't notice how much good-or-at-least-popular stuff is written as Young Adult fiction. Junior or kiddie-scale wooden roller coasters are still getting made at a good rate. And if they're being made to this standard, then, excellent. It is more important that a ride be delightful than that it be big or long or fast, and Roar-O-Saurus is delightful.

Trivia: At the time of American independence roughly a tenth of all slave labor in the country was used to produce indigo. The farms were mostly in Georgia and South Carolina. Source: An Empire of Wealth: The Epic History of American Economic Power, John Steele Gordon.

Currently Reading: Overthrow: America's Century of Regime Change From Hawaii To Iraq, Stephen Kinzer.

One of the animatronics in Story Land is a groundhog, who pops out from a box and looks around and tells people of the show starting in however many minutes this is. Then it burrows back down. It's adorable. [livejournal.com profile] bunny_hugger and I have gotten to appreciate having shows in amusement parks, and it's a bit sad that we weren't able to make the groundhog's show or most of the other shows. They'd had some kind of Paddington Bear-starring pro-reading event going on in the early afternoon, for example. Towards the end of the day they also had a whole mass of characters, Tinkerbell and fairy-tale princesses and Humpty Dumpty and oh yeah Duke, the dragon from Dutch Wonderland. (That park's moved from Hersheypark to the Kennywood/Parques Reunidos chain, and so Duke has been showing up at all their parks, unsettling us.) They're well-stocked with characters to meet.

They also have Character Dinners. This softens the early closing hour, I suppose. Folks presumably with kids could ``join Cinderella, Duke the Dragon, Humpty Dumpty and our newest friend `Rory' for a memorable Buffet Dinner'' (as their web site puts it). We were a little tempted by this, must say, though it can be terribly uncertain what's at a meal like that which a vegetarian, or someone trying to be vegetarian, can safely eat.

But two things we did get to, which blur the line between rides and shows, were the boat rides. Story Land has a good-sized and irregularly shaped lake and two separate boat tours. One is the Story Land Queen, on a boat with a large swan front end. The dock for this, at least when we went there, seemed to be unattended. The gate for getting on the boat was closed and locked, yes, but it was easy to imagine how the equivalent at (say) Cedar Point would have at least two ride operators watching every moment until the boat arrived.

The Story Land Queen brings folks on a tour to Butterfly Island, while the ship's master tells a story of how something-or-other scared the color out of the butterflies. So we have to go past the scenic drawbridge --- ordinarily closed so the pirate ship can't follow --- and bring color back to the butterflies if our cheering and applause and such are enough. On our expedition they were and color returned to Butterfly Island in time to putter back past the drawbridge. Also we got to see there was a crane of some kind hanging about the lagoon and occasionally jabbing at, we trust, the fish. It's always wonderful encountering this sort of wildlife in a park. At Cinderella's Castle we spotted a chipmunk who'd worked out what parts of the castle he could get to without being annoyed by humans.

The other lagoon ride is the Buccaneer Pirate Ship where, just as the lady running the Story Land Queen warned, kids are sat down beside oars and ordered to paddle. This takes a different path and doesn't even try to get to Butterfly Island, raising the implication that the Story Land Queen is spreading falsehoods about the pirates. It does go past prop pirate fortresses and cannons and wrecked ships and the like, while the ride operator talks in that joking comic pirate fashion. There's less narrative than the Story Land Queen offers, but it makes up for that with more animate shoreline stuff.

Also crossing the line between ride and show is the Slipshod Safari Tour. This is a ``trek through the wilds of Africa in a wagon train'', per their web site, and that's fair enough to say. The truck carries everyone along past a mixture of fixed statues and animatronic props which represent gorillas and rhinoceroses, snakes and turtles, elephants and zebras, while the driver describes what's seen and jokes about them. Corny? Yes, but if you don't like corny why go to an amusement park? Why go with me?

We noticed by the way that season passes for 2016 were already on sale, and they were good for the rest of 2015, and you could apply that day's ticket purchase to the season ticket price. It would be a bit crazy to buy season passes to Parques Reunidos parks, except ... well, we had two Parques Reunidos parks we were certainly visiting on the New England Parks Tour alone. We could easily imagine getting to Kennywood and/or Idlewild a weekend this year. And if not then, next year surely, maybe more than once. Sad to say, they don't have chain-wide season passes; the most we would get is a discount on buying tickets at sister parks. How big a discount? The customer service guy grimaced as he told us. It was something like four dollars. Well, it would've been nice.

Trivia: The first telegraph cable across the English Channel, laid in August 1850 by the General Oceanic and Subterranean Electric Printing Telegraph Company, was so light that the wire would not sink. Weights had to be affixed to it to make it drop to the bottom. Source: The Victorian Internet, Tom Standage.

Currently Reading: Overthrow: America's Century of Regime Change From Hawaii To Iraq, Stephen Kinzer.

PS: Reading the Comics, September 14, 2015: Back To School Edition, Part II, just what it says on the label.

Besides fairy-tale dioramas Story Land has a good number of rides. It's an amusement park as well. There are a couple spots that try to mark a clear separation between one and another, but they blend together anyway. The first ride were on, for example, was a mad-tea-cups ride inevitably themed to Alice in Wonderland. This was a novel one for me, though: the teacup spun on two larger disks, side by side, and the cups would occasionally be swapped between disks. I'm impressed by how the mechanics of this have to work, as I can't imagine such figure-eight looping while staying safe is easy. It's a fine ride.

But most of the amusement park rides are in back of the story-book land, which, from this point, we exit by going through the gates of a mock castle. There's a little free-standing tower past that, with ``A Child's Visit To Other Lands'' written on the banner across the top, and figurines representing the children of the world. On the sides of the tower are scrolls depicting the tune and lyrics for a song, It's A Child's World --- or as the Old English-typeface header actually writes it, It'd A Child's World --- that I'm using as the subject lines for this visit. It's no It's A Small World but it's endearingly homespun for that.

And the park tries to be both homespun and friendly, not to mention beautiful, in this area. There's a central clock featuring a circling disc of kid figures, playing this It'd A Child's World song, with cheerily inspirational stuff on boards around the clock face. ``The world is so full of a number of things, I'm sure we should all be as happy as kings --- Robert Louis Stevenson'', for example, or ``A Family is one of nature's masterpieces --- George Santayana'', whose name I think they spelled wrong. I remember our doubting they got his name quite right, but I don't have any photographs that show it clearly.

Considering it isn't a large park they do try to pack a lot of the world into it. There's Vaguely Medieval Europe sections, of course, which tie in nicely with Cinderella, who's portrayed by someone for an afternoon session greeting kids at her castle. They have an electric car, dressed as a pumpkin, to bring people up and down the hill to that. There's an Old West/Mexicana section, although I don't believe there were any rides, just a food court. There's also an Arabia-themed ``Flying Carpet Sandwich Oasis'' which looked good but I don't think had any rides. There's also a Dutch section, complete with windmills and a few thematically suited rides, plus the ``Maak Je Eigen Ijscoupe'' ice cream shop which we somehow failed to get to. There's a Chinese section, mostly a log flume, that again we didn't get to, between the early closing hour and how packed the rides were and our natural reluctance to get on log flumes (Well, they're all wet.) Egypt's represented with another log ride, though a trough ride rather than one with a particular drop. It's also got water guns set up on the boats and on the outside, so riders and onlookers can squirt one another. There's a few stray Americana-themed bits, and a North Pole section big enough for a roller coaster. And in the far back is a dinosaur-themed area with its newer and quite renowned roller coaster.

I admit that it's that dinosaur roller coaster which made the park one we had to visit, although its oddball antique carousel certainly helped, and its fairy-tale theme appealed too. But the park is a beautiful one, looking neat and freshly-maintained. I'd say this was the park we'd been most concerned about, before our trip, because we'd heard it had gotten really desperately pinched in the 90s and 2000s, and there were a complaints about how Kennywood Entertainment Company and, later, Parques Reunidos had maintained it. Based on literally eight hours there one particular day, the park looks to be first-rate.

Trivia: Harry Beck, designer of the famous ``circuit board'' map of the London Underground, published in the March 1933 edition of the London Transport staff magazine a spoof of the map. It depicted the Underground with parts to make it an (almost) workable radio. Source: On The Map: A Mind-Expanding Exploration of the Way the World Looks, Simon Garfield. (Garfield notes that we cannot be sure it was not someone imitating Beck's style.)

Currently Reading: Overthrow: America's Century of Regime Change From Hawaii To Iraq, Stephen Kinzer.

Our park for Thursday was Story Land, in Glen, New Hampshire. The park was opened in the 1950s as one of the fairy-tale forest kiddielands that were trendy back then. Nearly all of them have shriveled and died in the decades since. Story Land was almost among them. Eight years ago it was bought by Kennywood Entertainment Company, owners of, well, it's right up front there. They also owned Idlewild, about an hour east of Kennywood, and one of the other surviving fairy-tale forest kiddielands. We'd heard dire things about the state of Story Land in previous years, but rumors that things had been getting better. If nothing else they had a new wooden roller coaster that fans were wild about.

We got there just in time. I think this was the only park we were able to be there at the actual opening hour for, even though many of them were fifteen minutes or so from our hotel. Stuff kept happening. Even that early, though, it was looking busy; the parking lot seemed nearly full. It turned out there was another parking lot across the highway, accessible by an underpass, increasing our count of parks an underpass away from the main parking lot. (See also Parc Festyland, Holiday World, and Kennywood.) The entrance gates are behind a series of crooked houses, fairly nicely painted and looking really quite good. The early evidence was of maintenance no longer being deferred, and that's what we'd see throughout the day.

Right by the entrance is a book prop, not so large as the book-gateway into Idlewild's Story Book Land, that warns ``You are now entering a storybook world. Follow this path and it will lead you well''. There's an Old Lady Who Lived In The Shoe house, with Old Lady and sometimes another guy watching. And there's an animatronic tree, with a name badge (``TIM --- CAST MEMBER'') who gives a welcoming spiel to kids and tells them how to get help if they get lost or separated from their group, that sort of thing. And the tree reaches to a set of hooks. You're invited to write your name on leaves and hang them on, to fill up the tree. Of course we hung them. I put my name by the painting of a raccoon; [livejournal.com profile] bunny_hugger, by a squirrel holding a chained pen. And that's what the park is like the first four minutes you spend in it. We had all day.

Much of the park, I believe the oldest sections, is displays of fairy tales. Most of them are buildings, and many have animatronics or maybe music to suggest the tale. Some have animals, too. The first we saw were chickens, although not tied to the baffling ``Hickety Pickety, My Fat Hen'' who lays eggs for gentlemen. There's pigs, in front of the houses of straw, sticks, and bricks. They were lying together. They had a Peter Rabbit, although he was tucked inside his house-hutch every time we went past the spot. This is all grand stuff.

The gift store had Images of America books, of course, and some old photographs of the fairy-tale area. The crooked-house entrance dates back decades, and some of the individual displays we could find dated back to the early 60s at least. There used to be a Little Sambo display and I was curious how long that lasted. It turned out there is a Little Sambo sign, although it doesn't depict any human characters, and I'm not sure about its legend. I took a photograph so I know I'm quoting it right:

Sambo wore his fine new clothes and went for a walk in the jungle. He met a big tiger who said, ``You have beautiful shoes and I have none.'' Sambo replied, ``I will give you my fine new shoes.'' The Tiger said, ``Very well, now I'm the grandest Tiger in the Jungle!'' The End.

(Actually, Sambo's reply doesn't have close quotes. Amusement park signage is surprisingly poorly copy-edited when you look at it.)

I'm not calling for more racially charged fairy tales, obviously. I just feel like ... well, why have this at all when you could just leave the Sambo stuff in the Hall of Embarrassing Stuff From Before White Guys Discovered Non-Whites Had Feelings, In 1978. It's a curious decision, almost like they tried to step back from ``things we're stunned white folks thought were fine in 1956'' without hitting the many, many tripwires of ``white folks whining about political correctness''.

I'm making more of this this than the park does. What I take to be the older, fairy-tale-themed areas are lovely, nestled in woods, and split well between static displays, animal displays, and animatronic displays. I'd be glad to see just this again, as well as more parks along these lines.

Trivia: According to legend, on his death in 804 AD Lu Yü --- a Taoist poet hired to extol the virtues of tea --- was transfigured into Chazu, the genie of tea. His effigy is still honored by tea dealers in the Orient. Source: The World of Caffeine: The Science and Culture of the World's Most Popular Drug, Bennett Alan Weinberg, Bonnie K Bealer. (I'm not certain I believe this, but I love the idea of a genie of tea. And now that you've heard it, don't you too?)

Currently Reading: Moscow, 1937, Karl Schlögel, Translated by Rodney Livingstone.

PS: One Way We Write Functions, in case you needed any more.